Upcoming events.

Machaut’s Messe de Nostre Dame at The Nicene Creed 1700th anniversary conference
Oct
27

Machaut’s Messe de Nostre Dame at The Nicene Creed 1700th anniversary conference

Demestvo performs Guillaume de Machaut’s Messe de Nostre Dame during the Choral Eucharist at Trinity Church Princeton, as part of The Nicene Creed 1700th anniversary conference. Machaut’s Messe de Nostre Dame is historically significant and rarely performed today.  It is the earliest known polyphonic mass setting written by a single composer.  Machaut is remarkable because of the wealth of information that survives about him, a rarity for musicians from the 14th century.  He was at the center of the Ars Nova movement, and his Messe de Nostre Dame set the stage for cyclic masses of the Renaissance.  It is thought that this work was composed in the 1360’s.

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Midtown Concerts nyc - Demestvo Presents: Lost Polyphonies
Dec
4

Midtown Concerts nyc - Demestvo Presents: Lost Polyphonies

  • St. Malachy’s Church – The Actors’ Chapel (map)
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Lost Polyphonies is a program of the earliest polyphonic traditions from France, Georgia, Ukraine, Russia, England and Greece, performed alongside contemporary works composed in response to these chant traditions. It showcases an array of radically divergent early polyphonic traditions, including several new transcriptions of polyphonic works which have not been performed for over 300 years.

This concert is free. No tickets or reservations are necessary.

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The Earliest Forms of Slavic Polyphony: Troestrochie, Demestvo, Partes
Oct
9

The Earliest Forms of Slavic Polyphony: Troestrochie, Demestvo, Partes

Anastasia Shmytova presentsThe Earliest Forms of Slavic Polyphony: Troestrochie, Demestvo, Partes,” featuring a live performance by Demestvo, an ensemble that specializes in early Slavic chant and polyphony. Dedicated to the history, repertoire, and notation of the earliest forms of Slavic polyphony, this talk will contrast Troestrochie and Demestvo, native Russian forms of polyphony, with Partes, a Western-influenced, European style of polyphony that arrived in Moscow from Kyiv in the 1650s. How did these forms of polyphony build on the existing medieval znamenny chant tradition? And why did the European polyphonic style, partes, ultimately replace the native Russian styles?

This talk is part of the Russian Orthodox Church Musicians Conference, and will be held at the Marriott Princeton Forrestal.

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Past Events

Lost Polyphonies at Tblisi Evangelical Lutheran Church

Sunday, June 1, 2025

7:00 PM - 8:00 PM

Evangelical Lutheran Church, Tbilisi, Georgia

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Lost Polyphonies at The State Philharmonia of Armenia

Wednesday, May 28, 2025

7:00 PM - 8:00 PM

Arno Babajanyan Concert Hall, Yerevan, Armenia

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Lost Polyphonies at Saint Gregory of Narek Church

Thursday, May 29, 2025

8:00 PM - 9:00 PM

Saint Gregory of Narek Church, Yerevan, Armenia

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Path of Miracles

Saturday, March 29, 2025

7:30 PM - 9:30 PM

Richardson Auditorium, Princeton University

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